Video and notes from my art exhibition opening in Torrejón de Ardoz, Spain, with live guitar, visitors and my painting "Árbol de silencio". There's a moment I always wait for at an opening. The paintings have been hung, the lights are on, the room is still empty, and everything is quiet. Then the doors open. This was opening night of the IX Art Prize Ciudad de Torrejón de Ardoz, Spain, and the video above is my way of taking you through the room. You'll see people drifting f

There's a particular kind of vertigo that comes from standing in a 16th-century building, surrounded by stone vaults that have outlasted empires, and finding your own painting hanging just a few rooms away from a Titian. That was my week in Lecce. Two of my paintings were selected for IMAGO III, the third chapter of a contemporary exhibition curated by Andrea Tapparini of Darte Studio, held at the MUST Museum — Lecce's historic city museum. Twelve artists, from Brazil to the

A look inside my studio as a golden meadow, a pine ridge and wild purple and pink flowers come together on canvas. Some paintings begin with a plan. This one began with a feeling: the light on a field in full bloom, when the yellow is so strong it almost hums. In the video above you can watch part of the process. Here is the story behind it. Starting with the pines The dark row of pines along the top sets the mood of the whole painting. Deep greens against a bright field give

Suscribe to mfy YouTube canal http://www.youtube.com/@Gorinart This piece started as a pine forest opening onto an empty golden field, and somewhere along the way, that field grew a meadow of its own, and a tiny figure walking one of several paths crossing through it. Mixed media on cahfgh5nvas, 100x130cm. No sketch, no fixed plan, I build these in layers, letting one color decide whatgl the next one needs to be. You can still see the paths crossing the field if you look clo

Every painting in the Celestial Bloom series starts the same way: with color, not composition. I don't sketch these pieces — I build them, layer by layer, letting one shade dissolve into the next until something emotional emerges rather than something planned. "Celestial Bloom VII" is the seventh piece in that ongoing exploration. It began as a study in blue — cool, restless, almost sky-like — and slowly gave way to rose and soft violet, the way a feeling shifts before you ca

There's a moment that happens sometimes in the studio that no amount of planning can produce, you look up from the canvas, and the thing you've been painting for the last hour is standing right outside your window. That's exactly what happened while I was working on this piece. I'd been building up the canopy layer by layer, teal, green, and yellow strokes stacked until the texture started to feel less like paint and more like actual foliage catching light. Somewhere around t

There is something profoundly different about standing in front of a textured painting. Unlike a print, which reproduces an image, an original textured artwork occupies space in a physical way. It catches light, casts shadows, reveals layers, and changes subtly throughout the day. Its presence is not only visual—it is atmospheric. "Where Remembrance Grows IV" was created with this idea in mind: that painting can become more than an object on a wall; it can shape the emotional

This 90x70cm piece began as a commission with a simple brief: a tree, full of life, full of birds. What followed was weeks of slow, deliberate work — building the branches first, then layering the canopy leaf by leaf until the gold and green came alive. Eight goldfinches move through the piece in different states: perched, mid-flight, watchful. And on one of the bare branches, a small owl sits quietly, watching over the whole scene. Pieces like this test patience as much as s

From May 14–20, artist Marian Gorin presented her work at Expression and Freedom, an exhibition hosted at 99 Kingsway, Holborn, London. The exhibition brought together contemporary voices exploring emotion, identity, movement, and human perception through experimental visual language. Within this dynamic environment, Marian Gorin’s abstract expressionist works stood out through their intensity of color, layered textures, and emotional depth. Two of the featured paintings beca

I’m very happy to share that I will be part of Expression & Freedom, an artist-led exhibition taking place in Holborn, London this May. The exhibition brings together a diverse group of emerging and established artists, each exploring themes of emotional expression, individuality, and the subtle beauty found in everyday life. While each practice is distinct, what connects us is a shared interest in using painting as a way to access something more internal—something that goes

Art has the power to define a space. It can soften it, energize it, or completely transform its atmosphere. Today, I invite you to explore how my abstract paintings can become the soul of a modern interior — not just decorative elements, but statement pieces that bring depth, personality, and emotion into your home. Let’s take a journey through different interior styles and discover how abstract art can elevate each one in a unique and meaningful way. Till Summer Folds Her Mi

In this video, I share the process behind my latest work, Presentiment : an acrylic and mixed media painting where layers of texture, color, and intuition come together to form a dreamlike landscape. The video opens with gold leaf unfolding gently over the surface — a poetic gesture that brings iridescent reflections to the blue textured area. From there, the painting evolves through layers of color and gesture, becoming an abstract field of flowers bathed in pink and violet

There are moments when the world feels suspended — neither day nor night, only the quiet transition of color and air. Reverie XVI was born in that space. This painting continues my Reverie series, where I explore the dialogue between atmosphere and memory. Using layers of acrylic and soft impasto textures, I aimed to capture the slow rhythm of light across an open landscape — the kind of view that doesn’t need to be real to feel true. The sky drifts from soft cerulean to co

What an incredible weekend! I’m truly honored to have been selected to participate in the Certamen Internacional de Pintura Ciudad de Hellín among so many talented painters from different places. The contest took place at the MUSS (Museo de Semana Santa de Hellín) — a stunning space that felt alive with creativity. Every corner of the museum was filled with color, energy, and artistic curiosity. The atmosphere was both exciting and serene — a reminder of how art connects pe

Even though I didn’t win the contest, being part of the exhibition at the Wine Museum was an incredibly rewarding experience. It’s not always about the prize — sometimes, it’s about the people you meet, the conversations that spark new ideas, and the chance to see your work breathe in a shared space. My piece, Fermento , is part of my ongoing exploration of mixed media and texture . I love blending materials that carry their own stories — in this case, vine leaves, sand, and

There are paintings that emerge from ideas — and there are paintings that grow out of a feeling .This one began with silence. Hope is the...

Join me behind the scenes as I prepare my mixed media painting Ascetic Eves for its journey from my studio in Spain to Washington DC....

Every painting begins as a quiet thought, and Reverie XV emerged from a space between memory and imagination. I wanted to capture that...

There’s something timeless about cherry blossoms. They remind us of spring, renewal, and fleeting beauty. But when I started this...

When I began working on “Ascetic Eves” , I didn’t have a plan. No sketches, no roadmap. Just an impulse: I wanted to create something...